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Jul 18, 2025

Our eBay Listings in support of the Autism Caravan Project



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Great video and great music are all you will find at Tale Teller Club



























Exploring the Sonic World of the Tale Teller ClubMusic is the lifeblood of the Tale Teller Club, where creativity flows freely across genres and media. From infectious dance tracks to meditative healing music, the band’s work embodies a deep exploration of sound as a storytelling medium. Central to this journey is The Book of Immersion, a groundbreaking narrative that weaves together music, art, and philosophy into an organic, living performance artwork.The Musical Spectrum: From CDM to Healing VibrationsThe Tale Teller Club’s repertoire is as diverse as their creative vision, spanning:Dance Tracks: Dynamic, beat-driven compositions designed for movement and connection.Electronic Folk Music: A fusion of storytelling traditions with cutting-edge electronic instrumentation, creating a soundscape that bridges past and future.Cerebral Dance Music (CDM): A genre unique to the band, CDM blends thought-provoking themes with rhythmic complexity, offering an immersive experience for both body and mind.Healing Music: Crafted with binaural beats and Rife frequencies, these tracks promote focus, relaxation, and well-being, reflecting the band’s belief in music as a transformative force.This variety reflects the Tale Teller Club’s commitment to pushing boundaries while always staying true to their artistic roots.Band Members as Living ArtThe Tale Teller Club isn’t just a band—it’s a living artwork. The members—Vapor Punk, iServalan, and Flex—are not only accomplished musicians but also characters deeply enmeshed in The Book of Immersion. This unique blend of reality and narrative creates a performance that is both deeply personal and universally resonant.Vapor Punk: A robotic figure whose mastery of rhythm and sound explores the boundaries between human and machine creativity.iServalan: A visionary artist and multi-instrumentalist who connects visual, musical, and narrative threads into a cohesive whole.Flex: A genre-defying performer whose dynamic energy mirrors the boundless possibilities of the Tale Teller Club’s music.These personas are integral to the band’s storytelling, making each performance a chapter in their ongoing artistic journey.The Role of Technology: Inspired by Machines, Driven by HumanityWhile the Tale Teller Club doesn’t use AI to create music, they are deeply inspired by the concepts of otherness and sameness in machines. Advanced software techniques allow them to manipulate sound with precision, layering live instrumentation with digital effects to create immersive sonic landscapes.This approach reflects the philosophical underpinnings of The Book of Immersion, where themes of identity, connection, and technology are explored. The band’s use of technology is not about replacing human creativity but enhancing it—building bridges between the organic and the mechanical, the emotional and the logical.Music as a Living PerformanceIn The Book of Immersion, music plays a central role, not merely as accompaniment but as an active participant in the narrative. Tracks evolve alongside the story, creating a multidimensional experience where sound and text feed into each other. This interplay allows listeners to engage with the story on an emotional, sensory, and intellectual level, transforming the act of listening into an act of immersion.The Philosophy of SoundThe Tale Teller Club’s music isn’t just something you hear; it’s something you feel. Their use of binaural beats and Rife frequencies in healing music aligns with their belief in sound as a tool for transformation. At the same time, their dance and CDM tracks explore the shared human experience, connecting audiences through rhythm and storytelling.The Future of the Tale Teller ClubAs Vapor Punk, iServalan, and Flex continue their artistic evolution, their music remains a dynamic, living embodiment of the themes in The Book of Immersion. By combining advanced technology with traditional musicianship, they challenge audiences to rethink the relationship between humanity and machines, emotion and logic, art and life.Join the Tale Teller Club on this extraordinary journey and discover a world where every note, every rhythm, and every melody is part of a larger, immersive story—one that invites you to question, to feel, and to connect. It’s not just music; it’s art in motion.




























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Ginny Greaves: The Case of the Vanishing Violets by Sarnia de la Mare for Tale Teller Club Publishing



Ginny Greaves: The Case of the Vanishing Violets

I was three fingers into a neat whisky and one finger into a thoroughly bad mood when they approached me—two slabs of man, all brow ridge and bad life choices, like someone had built a pair of knuckle sandwiches and taught them how to walk.

I'd been stood up again by the barmaid. Nice eyes, dodgy taste in women, said she'd meet me after her shift. She didn’t. I’d even worn my best lipstick.

The taller of the two, who had the look of a boxer that lost all of his fights, cleared his throat for a speech.

“You Ginny Greaves?”

I looked up, slow, without turning. I could see them in the bar mirror, standard private eye technique.

“Depends,” I said. “Am I being served or seduced?”

 

“Neither,” said the other, who had a tattoo of a broken heart on his neck and all the charm of a wet sock. “We need your help. Our mum’s gone missing.”

Now, I don’t normally take jobs from men who look like they keep their valuables in the boot of a stolen Vauxhall, but they weren’t lying. Their lower lips trembled every time they said “Mum,” like children on the brink of a tantrum.

“She left a note,” one said.

“We didn't know she could write that well,” said the other. 
“She left her dentures behind,” the tall one added, solemnly, as if that sealed the doom.

It was a quiet Monday, I figured I could clear this one up by the afternoon, evening at a push.  

“Right,” I said, finishing my drink. “Let’s go find Mummy.”

First stop was the bingo hall. She wasn’t there, but I found a mauve cardigan that smelled of Parma Violets and carbolic soap in lost property. I watched the CCTV. It was hers. I could at least give it to her human Rottweilers to help them sleep better.

It was in a launderette behind a butcher’s in Hackney where I struck gold, or, more accurately, boiled sugar. A crumpled paper bag of Parma Violets. The kind of sweets that taste like church pews. Her sons confirmed it. “She eats them when she’s anxious… or ....(long pause) ..flirtin’.”

Intriguing, she didn't look like a flirter. More the memories type.

The trail twisted like a politician’s promise all the way to Cornwall. I roped in a mate in the police department who owed me. 
But this woman had a knack of looking invisible so it took some time. She had bought a new cardigan on her credit card at a charity shop.

It was close to a caravan park with views of the sea and the strong smell hot surfers. There, in a deckchair, wearing a floral kimono and sipping something fizzy out of a plastic flute, was Mavis, renowned mother of muscle.

“Ah,” she said, spotting me. “You must be a detective. Took you long enough. Fancy a Babycham?”

She wasn’t kidnapped. She wasn’t depressed. She wasn’t even menopausal, though she claimed she might fake it for attention.

“I met Derek,” she said. “He’s twenty-five and plays the ukulele. He calls me ‘goddess’ and irons.”

I nodded. “Checks out. But the teeth?"
"Ah yes, well I have a spare set, for special occasions."
" What now Mavis, I'm not sure they can boil an egg at home?"

What did I care? But I like a happy ending, and I guessed Derek did too.

She came back of her own accord, skin tanned, hair in beachy waves, and a slight spring in her step.

Her boys met her at the station with a bunch of daffodils and tears that could rust a lamppost.

“We won’t take you for granted again, Mum.”

“You’d better not,” she said, “or I’ll shag another busker.”

As for me?

Well, I caught a train back to London with a flask of gin, a pocket full of Parma Violets, and a renewed belief in the power of family ties.

I’m Ginny Greaves,
and I’m always on the case.

© 2025 Sarnia de la Mare

#GinnyGreaves #FilmNoirFiction #WryHumour #ComedyMystery #ModernNoir #PrivateDetective #MissingPersonCase #RetroFiction #ShortStorySeries #SarniaDeLaMare #TaleTellerClub #BoiledSweetsAndBetrayal #NeatWhiskyAndTrouble #NoirVibes #FictionWithBite


Grease and Eyeliner A Mills and Swoon Short by Sarnia de la Mare


Grease and Eyeliner

A Mills and Swoon Short by Sarnia de la Mare

Tale Teller Books
It began, fittingly, with a fight.
And a pair of fishnet tights.

Brighton, August Bank Holiday, 1964: Mods in slim-cut Italian suits and dustbin-lid parkas swarmed the seafront on Lambrettas like a horde of well-coiffed hornets. Rockers in leathers growled back from their cafΓ© tables, the chrome on their motorbikes gleaming like polished knuckles.

Amid the crowd and chaos, Lulu Green, seventeen and already infamous for smoking menthols behind Woolworths, strutted along the promenade in a white PVC mac, Mary Quant lashes, and the most scandalous miniskirt East Sussex had ever gossiped about. Her Mod badge flashed silver against her chest, daring the world to look away.

And then she saw Johnny Raye.

He leaned against his Triumph Bonneville like it was a wealthy parent, black leather tight across shoulders built for sin, a sneer so well practiced it was practically choreography. The only soft thing about him was the curl of Brylcreem that dropped artfully across his forehead.

He was, quite obviously, a Rocker.
Which made him, quite obviously, forbidden fruit.

But Lulu’s eyes didn’t blink. “You staring or just brain-damaged from the fumes?”

He grinned. “Depends. You offering fresh air?”


So began the secret affair of beach huts and backbeats. Lulu's aunty owned a beach hut along the seafront in Hove. It was typically pink for an elder who wore her curls even to swim in.

"I will give you a key dear," she had said, "for you and your school friends."

Love blossomed in the pink beach hut in Hove, not in daylight, but in snatched moments between Mods vs. Rockers brawls and mum’s weekend meatloaf. The had to replace a bowl after one night of hurried fumbling, and then a table leg after the first night they 'did it'. 

On Saturday's, Lulu tap-danced through Carnaby Street boutiques, collecting eyeliner pots and 45s of Dusty Springfield. By night, she’d hop on the back of Johnny’s bike, clinging to him like a second skin as they tore down coastal roads under a moon that approved of rebellion.

In the wooden shadows of Brighton’s painted beach huts, he’d play her Everly Brothers songs on a beat-up guitar, his fingers smelling faintly of engine oil and licorice Rizlas. She’d hum along, heels kicked off, hair backcombed to heaven.

“You know,” she said once, “I should be scared of what my mum’ll do if she finds out.”

Johnny kissed the inside of her wrist, soft and slow. “So should I. But I’m more scared of not seeing you.”

It didn’t take long for word to spread. Brighton had ears. Lulu’s father, a jazz-loving ex-army man with strict opinions on hem lengths and haircuts, banned her from leaving the house after six. Johnny’s mother, a chain-smoking former Tiller Girl, threatened to lace his tea with laxatives if he didn’t “find a nice Essex girl with a full fringe and some bloody sense.”

The lovers tried to part. They even had a trial separation. 

Lulu dated a Mod named Colin who quoted Bob Dylan and couldn’t kiss properly.
Johnny flirted with a Rockabilly girl who wore a ponytail and called him "daddy" without irony.

But it was no use. It was like dating Elvis then dating Val Doonican. Johny Raye was Lulu's Elvis. 

The final straw came when Lulu’s dad caught her sneaking out of the window wearing go-go boots. He grounded her indefinitely and took her Dancette. “You’ll thank me one day,” he said.

She did not, but she did understand his motives, albeit twenty years later when Johny and Lulu's son was hanging with the wrong crowd.

Two nights later, with the help of sugar paste, a hairdresser mate from beauty college, and a bottle of stolen vodka, Lulu escaped. Johnny met her outside the old pier, bouquet of fish and chips in one hand, a ring pop in the other.

They didn’t marry in white. She wore a silver minidress and blue eyeliner that reached halfway to her temples. He wore a leather jacket and a smile he couldn’t shake. They said their vows in the Brighton registry office, then danced on the pier to The Kinks 'You Really Got Me'. The spent the night in a cheap hotel room with floral wallpaper and sticky carpet.

Because love, as it turns out, doesn’t care much for categories.
It doesn't check jackets or bikes or what your dad thinks.
It just shows up, revs its engine, and waits.

© 2025 Sarnia de la Mare  


#ModsVsRockers #1960sRomance #MillsAndSwoon #VintageLoveStory #BrightonLove

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