📚 Tale Teller Club Press (TTCP)

Nov 10, 2026

Why does Sarnia de la Mare have so many names and identities?

Sarnia de la Maré uses multiple names and alter-egos as a deliberate tool for creative compartmentalisation, artistic freedom, and feminist commentary. As a multidisciplinary artist working across punk performance, digital design, music, and literature, different allow her to explore distinct, sometimes conflicting, creative personas: [1, 2, 3]

Pasha du Valentine: This name serves as her performance and broadcast persona. It captures her roots in punk rebellion, cabaret, and radical self-expression, functioning as a "theatre" for live energy, confessions, and performance art. [1, 2]
iServalan (or iServalan Homotech 23): This identity is reserved for her digital and future-facing art. It focuses on pop surrealism, satirical portraits, and the intersection of human artistry with tech and AI. [1, 2]
Sarnia de la Maré: Her primary professional name, used for her fine art, literature, and leadership of the Tale Teller Club Press. [1, 2]

By splitting her identity into distinct project-based names, she rejects the pressure for artists to stay in a single "box," using anonymity and alter-egos to continually reinvent her work. [1, 2]

Would you like to take a closer look at the work created under iServalan, or explore her history with Pasha du Valentine?

Nov 6, 2026

916 Cinema, the new YouTube Gallery of Tale Teller Club video assets and imaging

Introducing 916 Cinema: Vertical Stories and Visual Worlds from Tale Teller Club Publishing

Tale Teller Club Publishing has launched 916 Cinema, a dedicated YouTube channel that reimagines its books and visual assets for the mobile era. Designed around the 9:16 vertical format, the channel delivers storybook film, cinematic imaging, and supporting visual material that can be watched easily on phones and tablets.

At its core, 916 Cinema treats storytelling as its primary mission. Tale Teller Club books—most notably The Book of Immersion by Sarnia de la Maré FRSA—are adapted into short, atmospheric episodes and trailers. These pieces capture key moments from the literary worlds: Renyke’s awakening, encounters with enigmatic figures such as POS, hybrid characters, and the broader fusion of human and machine consciousness that defines the series. The result is cinema in miniature—storybook film that preserves the tone and imagery of the original works while fitting the way audiences consume content today.

The channel also functions as a visual archive. Alongside the narrative shorts, viewers will find print galleries and video assets drawn from the wider Tale Teller Club catalogue. These include stills, concept imagery, and motion sequences that support the books, music, and related projects. Whether the material originates in the Immersion universe, Goddamn Media archives, or other Tale Teller Club productions, the presentation keeps the focus on high-quality imaging that can be explored, shared, or used as a companion to the printed and digital editions.

The format is intentional. Vertical cinema prioritises the phone screen without sacrificing atmosphere or design. Shorts and clips are paced for modern viewing habits, yet they remain tied to the literary source material. Descriptions on the channel emphasise “Vertical Stories | Literary Worlds | Cinema in 9:16,” signalling a space where publishing and film practice meet. Playlists collect the Book of Immersion material, making it easy to follow character arcs or thematic sequences in order.

Every element is produced under the Tale Teller Club Publishing umbrella. The Press has long operated as the independent hub for Sarnia de la Maré’s writing, iServalan’s visual and sonic work, and the broader multimedia ecosystem that includes books, music, and performance. 916 Cinema extends that oversight into moving image, ensuring consistency between page, print, and screen.

The channel is already active with trailers, character-focused clips, and ongoing short-form storytelling. New material continues to appear, offering regular entry points into the worlds of Tale Teller Club. For readers who want to see the books move, for collectors interested in visual assets, or for anyone exploring vertical cinema as a storytelling medium, 916 Cinema provides a direct and accessible route.

Find the channel at youtube.com/@916cinema. Subscribe to follow the storybook films, explore the galleries and assets, and stay connected to the evolving visual language of Tale Teller Club Publishing. The pages have always been the foundation; 916 Cinema is where they begin to move.

Bad Bunny Artwork by Homotech 23 inspired by Pasha du Valentine #art #ai #artist #fusion
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Pasha du Valentine meets the Homotech 23
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Cinema clip BOI Minor Matter Music Video with Live Drawing #916cinema #sarniadelamare #iservalan
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Tale Teller Club Press launches a range of affordable art card prints on eBay

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Tale Teller Club Press Launches Affordable Collector’s Mini Artworks on eBay

Tale Teller Club Press has introduced a range of affordable art card prints on eBay, positioned not as ordinary postcards but as accessible collector’s mini artworks. These pieces open the world of Goddamn Media, the Book of Immersion, and the Homotech aesthetic to a wider audience through carefully produced, limited prints.

The core of the new line draws from Goddamn Media imagery modelled by Pasha du Valentine. These original photographic and performance elements are reimagined by iServalan Homotech 23, the artistic identity that fuses human creativity with digital processes. The result is a series of compact, high-impact prints that capture the charged, archival spirit of the Goddamn Media vault—intimate, provocative, and layered—while remaining priced for everyday collectors rather than gallery exclusivity.

Alongside the Goddamn Media works sit art cards drawn from the Book of Immersion. This sci-fi and transmedia universe by Sarnia de la Maré (also known through the personas of iServalan and Pasha du Valentine) explores the intersection of consciousness, code, and identity. Cards featuring futuristic androids, neural imagery, strata cover art, and related illustrations translate the book’s visual language into portable form. Fans of the series can now hold physical fragments of its world, from cover motifs to character-driven scenes, as collectible pieces rather than mere stationery.

Every production is overseen by Tale Teller Club Press, ensuring consistent quality and fidelity to the source material. The Press has long operated as the independent publishing and creative hub behind the Immersion series, related music and performance work, and the broader Tale Teller Club ecosystem. That oversight extends to these prints, keeping the editions aligned with the original vision even as they reach a broader market.

A deliberate note of scarcity runs through the release. These are not permanent fixtures. Editions will be removed and altered over time. What appears today may not remain available in the same form tomorrow. The approach treats the cards as living editions rather than mass-produced stationery—pieces that exist in limited windows and evolve as the broader projects continue. Collectors who want a particular image are encouraged to act while it is still offered.

Buying is straightforward on eBay. Search for Tale Teller Club Press or the relevant titles (Goddamn Media, Book of Immersion, iServalan, or Pasha du Valentine) to find the listings. The platform’s familiar checkout, buyer protections, and shipping options make it simple to add these mini artworks to a collection without specialised gallery channels. Prices remain accessible, reflecting the Press’s intention to share the work widely while maintaining its collectible character.

Whether you are drawn to the archival intensity of the Pasha du Valentine / Goddamn Media images, the speculative worlds of the Book of Immersion, or the Homotech reimaginings by iServalan, the new range offers a tangible way into the Tale Teller Club universe. These are affordable entry points that still carry the weight of limited editions under direct Press oversight. Browse the current listings while they remain available—editions change, and what is here now will not stay forever.