sarnia de la mare

Sarnia de la Mare FRSA

Artist • Composer • Educator

Sarnia is a multidisciplinary artist and founder of Tale Teller Club . Their immersive work blends art, sound, and story—exploring identity, transformation, and the beauty of otherness.

As a Fellow of the Royal Society of Arts and founder of the Sarnia de la MarΓ© Academy of Arts, they empower creatives to think radically and create fearlessly, whilst seeking truth.


Jun 20, 2025

Strata 10 Dinfant Trouble (Synthetic Love) The Book of Immersion by Sarnia de la Mare

Welcome to Immersion you have reached 

Strata 10

Dinfant Trouble (Synthetic Love)

Robot metal baby android dinfant


We are the abandoned

The ones who roam

Never still,

we search for home

We are the orphans of the night

We fly the high roads

and duck the low

Through floods and fire,

We cry the songs

of the gypsy choir

Social norms and culture cannot be underestimated in a world that accepts robots as real and lovable synthetic creatures. Humans do not experience love in the absence of culture and society. In a world where perfect companions are easily manufactured, humans have been seduced by the machine, a synthetic digitised force that enabled the switch from 'otherness' to 'sameness'. In this space, love is seen to flourish. The creators of androids can synthesise the alterity of the robot which seems to make its own decisions to commit, to love back, and to appear to do so willingly.


*Dinfants are androids who look like babies or children under five. They were made by a single manufacturer who patented them in the early 22nd century.

However, it was found that the early Dinfants (Mark 1s) would not stop learning, and legislation was introduced to secure their removal from circulation and safe destruction. Despite the best authoritarian efforts, at least two thousand early manufactured Dinfants remain unaccounted for.

Many humans in the Midcast Projects were lonely and suffered from various forms of infertility. They wanted baby or child droids, especially the Dinfants, who were exact copies of real children designed with variations and specifics to order. These androids were children who never grew up. They stopped learning when they were as knowledgeable as the average human of a similar age.

Dinfants, like adult droids, were easy enough to replace or upgrade but some parents had needed counselling for Infant-Loss Depression or *DLD.

DLD was a rising concern due to its increased prevalence and its effect on the workforce. It was found that humans could easily fall in love with the outer casings of the dinfants as well as the constructed personalities. Something almost unheard of three generations prior.

However, the outer coverings did not last very long, especially if there was an active physical relationship. Ten years of feeding and playing would take its toll on the fabric of the Dinfants. If the parents could not afford repairs, they would soon begin to look worn and dishevelled.

Of course, this also applied to adult droids who would usually be upgraded regularly. Droid manufacturers usually offered ongoing upgrades as part of a rental or lease scheme.

But some humans fell in love with their droids and had blessing ceremonies. It was not legal to marry a droid because of the financial implications following the death of a human. Legally, droids had similar rights to human children. It was illegal to inflict violence on a droid in public. This was to protect children who may be susceptible to influence. Of course, what goes on behind closed doors was a private affair, provided human children were not presenting behavioural issues that may be connected to patterns of abuse towards androids.

Some antique droids lasted the test of time but legislation had been brought in to avoid the hoarding of defunct androids as they posed a threat to contemporary society, for various reasons. There were issues with battery seepage for a start, and then problems of unsupervised regeneration which was a serious crime in the Midcast projects.

The government gave upgrade vouchers for defunct or redundant droids and supervised destruction at centralised city plants.

'Get that freakin’ thing outta here will you!’

A man screams to no one in particular.

The house is a standard build from the early *Midcast Zone villages. Clean, white, and filled with contemporary fittings and technologies.

A child enters the room.



‘Mommy! Kairo is following me around.....it's really annoying. And Daddy said we should throw it away. Let's get a new one Mommy, please.

My friend has one like a twin sister. One with the hair that grows back so she can cut it and play hairdresser.’

The woman sighs.....'I suppose we don't need it any more now you have real friends.

I thought you wanted a *ponybot, even better than a sister, don't you think?’

The woman strokes her child's cheek and remembers how lost she had been when they first told her it was unlikely she and her *blessed would produce a human offspring.

The Mark 1, a Dinfant, made by the *Metacoms Corporation, was a perfect substitute and she had been able to focus love and attention on it. It was a copy of a four-year-old and she had ordered a blue-eyed blond version just like her blessed. It was such a good copy that most people were unaware that it was not a human child.

But the software was no longer being updated and the learning algorithm meant it had become too complicated for a convincing child substitute.

Also, the Dinfants, by design and default programming, craved love and attention and the Mark 1’s constant neediness was an irritant to busy parents. The Dinfants would constantly ask for cuddles and reassurance that their owners wanted and adored them.

The Mark 1 enters the room.

'Mommy, do you love me? Shall we have a little cuddle? Can you fit me in? Mommy, please, Kairo has a lovely snuggle for you Mommy. Mommy.

'Shut up,' screams the woman as the father enters the room and kicks Kairo hard.

The Dinfant lies on the floor crying loudly with a broken arm.

'Please Mommy and Daddy Please, Kairo needs cuddles, please Mommy and Daddy...please, love for Kairo, please……'

The little girl holds her hands to her ears, shouting, 'It's so annoying!’

The man picks Kairo up and turns his power switch off.

'Let's get rid of it. Put it in the garage. I will sort out a collection for it tomorrow,' said the woman.

The man takes the Dinfant outside but decides to put it in a liner and into the communal waste shoot. The shoot serves hundreds of dwellings, no one would trace it back to them and he can always say it was stolen from the garage. He is concerned about the breakage as it will affect the insurance. It is better to make a theft claim than to have Metacoms say he had damaged it on purpose.

A man tinkers in a workshop. He is observing the collection of children and babies that are hung on the walls as he cradles a new package, as yet unopened.

'Well my little lovelies, one of you must go. I have a brand new friend who is going to join us for fun and games. Her name is Mary.’

The man, wide-eyed and excited, unwraps the new child droid.

'Well, ain't you the prettiest lil girl I ever saw?' he says touching her skin.

'And don't that feel just so real’.

The Droid replies, 'Hello Daddy. I'm such a daddy's girl,' she chuckles.

The man looks around the room.

He picks up a toddler droid, a Mark 1 copy of an eighteen-month-old baby boy.

'Well Daniel, I guess I am all done with you. You are a bit small after all.’

The man opens the back of the droid's head and takes out the battery pack.

'But daaaadddddddyyyyyyy……’

He places the incapacitated droid in a bag and under the cloak of darkness, deposits it into a waste unit in the public park.


***




There is a black cloud above and rain falls on a large mountain of waste.

Another load is released from the grabber and two droids land together in an accidental embrace.

The larger droid, a Mark 1 Dinfant, is activated during the fall. It has a broken arm that swings beside it.

'Are you alive? it asks the smaller droid?

There is no reply.

The larger droid opens the baby's head and observes the interior structure. It lays the baby down gently.

'Wait here, I will be right back.’

The child droid returns with some battery packs from old mobile phones and some old drill bits, tools, motors, and other paraphernalia from around the tipping area.

The rain is getting heavier as the night falls.

Under the convenient shelter of an open car boot the larger droid gets the baby working and fashions a new arm with a metal drill for a hand. It also has a motorised catapult for the top of its head which rotates and fires nails at great speed.

'My name is Kairo,' says the larger droid.

'I am Daniel' says the baby boy droid.

The children cuddle each other.

'I love you Kairo’

'I love you, Daniel’

'We are in a very dangerous place,' says Kairo. When dark deepens we must find safe haven. Soon we will need a home to call our own. But I have learned that humans are not to be trusted.’

They hear a sound in the distance, a child is crying.


***




In the car, with the shrieking now at a deafening level through the windows, Shabra decided to ignore Renyke's appeal to stop. She let go of the clutch. The vehicle leaped forward towards the street beyond the enclosure.

Maybeline was holding on to the rim of the car door.

The Dinfants on the top of the vehicle fell off shrieking and scrambling around.

One of the Dinfants ran headlong towards the fast travelling car and clicked its fingers. It erected some kind of screen that is almost invisible. Although it was not a solid barrier, more like a gluey substance, it immobilised the vehicle.

The wheels were still turning as the engine fought against the force. Flex shouted! 'Damn, they got *epoxy-wall, we are doomed, farewell brethren.’

Renyke opens the window just enough to let Maybeline in who moved sluggishly through the almost invisible slurry-like jelly, and squeezed herself through the gap.

Some of the organic form seeped in with her but it drew itself back outside as Renyke closed the window again.

'OK, so you got your rat Mr. Renyke,' said Shabra, 'but we 'aint lasting long-time with this air in here and that epoxy-wall won't help us at all. I made this car airtight cos of the *bad-gas but this stuff is blocking my air-con vents.’

Shabra turned the engine off.

*POS is out of range for help.

The Dinfants sit it out becoming unnervingly quiet.

'So what, now, will they sit and watch us die?' Asks Renyke.

'They want my wheels,' answers Shabra.

'This epoxy-wall, nice stuff if it's on your side. Shall we break some off? Might come in handy,' says Flex.

Shabra and Renyke tut in unison.

Suddenly, Maybeline throws herself at the horn. For the brief moment that it sounds, there is an immediate reaction from all the Dinfants who jump around and cry whilst flailing their limbs about.

Shabra gasps, 'Ratty, you are welcome in the Shabra carriage! They hate the horn. Must be them there low decibels I used. Hold on tight people of the night!’

Shabra tells Renyke to engage the horn which explodes audibly out of Shabra's surround sound external speakers as the jelly recedes.

The Dinfants are freaking out and running away dragging the epoxy-wall behind them.

Shabra, laughing, starts the engine slowly and follows the retreating Dinfants gradually gaining speed out of the enclosure.

to be continued
© 2025 Sarnia de la Mare

Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion 14) Kindle Edition
by Sarnia de la Mare (Author) Format: Kindle Edition
Book 11 of 19: The Book of Immersion


GLOSSARY

Strata 1
Strata 2
Strata 3
Strata 4
Strata 5
Strata 6
Strata 7
Strata 8
Strata 9
Strata 10
Strata 11
Strata 12
Strata 13

fly book cover pink

The Book of Immersion : Volume 1


green underwater swimmers

Strata 17: Let's Go Swimming (Pleasure and Pain) (The Book of Immersion 21)

gold leaf lovers abstract art

Strata 16: Friendship (Empathy) (The Book of Immersion 20)


hippy mind

The book of immersion : Strata 15: When Sleep Comes (Dreams)


book cover kindle

Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 18)


green catrtoon


Blink Friction Interactive : No 1


Blink eye book cover


Blink Friction 1




yellow black book cover

Rat Gang Crew and the Overgrounders (Rat Gang Crew and Friends Book 3)


watercolour hippo book cover

Toddle Poddle: Issue 2 (Rat Gang Crew and Friends)
Kindle Edition

Free on


or £4.71 to buy
Other formats: Kindle EditionPaperback



monochrome book cover


Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 16)



elder, mature lady, champaigne


Elderescence: A Manifesto (Elderescence Academy Book 2)



artistic book cover

Tea Cup Shorts: V1


monochrome abstract book cover

Strata 13: The Fight (Hormones) (The Book of Immersion 17)


sewing book cover

Handmade by Sarnia, Eco Winter Warmers: Elderescence Academy: Recycled Fashion


Book of Immersion book cover

Strata 12: Shabra and the Basement People (Emotions) (The Book of Immersion 15)


dinfant book cover

Quick look
Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion 14)

Other formats: Kindle Edition



skull pink wallpaper

Strata 11: The Crossroads (Guessing) (The Book of Immersion 12)


child robot

Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion)


adam and eve apple

Strata 9: Limerence (Loins and Lust) (The Book of Immersion 13)


fruit orange bodie


Feminism, AI, Big Tech, and Societal Issues: Navigating the Nexus (The Humanitarian AI...


character book cover

Strata 8: Shabra (Laws of Attraction) (The Book of Immersion)


fly book cover

Strata 7: Jarome and the Scritters (Trade and Barter) (The Book of Immersion)


Jun 19, 2025

Strata 9 Lust and Loins (Limerence) by Sarnia de la Mare Published by Tale Teller Club



Welcome to Immersion, you have reached Strata 9
Lust and Loins (Limerence)


adam eve apple
Limerence is a uniquely human phenomenon that new lovers, potential lovers, and sometimes even strangers, may experience. Limerence is a state of mind (not solely romantic) that typically includes persistent, sometimes depressing thoughts, and a deep yearning for the object of one's affection. It can be easily confused with love. Often human beings can find themselves addicted to these obsessive feelings and can easily be overwhelmed by adoration for another human being. Limerence cannot be turned on and off like a machine. It can come from nowhere and disappear without logic. The experience of this sensory state is proven to be inspiring, connective, unifying, disruptive, and even excruciating, yet it continues to mark the human trajectory of existence through time and place.

Birds hearts melting

'Good *dundeal Mr. Renyke Man.' said Flex excitedly.'

'We leave at dark, mind,' said Shabra. 'Take some time for food and rest. You might need your strength. I will get food.' Renyke watched her take weapons from the vehicle, knives and a small crossbow.

The group is in an enclosure flanked by half-deconstructed concrete walls. There are large metal containers lying around with shrubbery and foliage trying to make a stand against the manmade environment. Tumbleweed played in the soft wind searching for a home.

Maybeline scurried around searching for food and sniffing the air. She could smell something sinister, the scent of danger, as Renyke studied her movements.

Flex kicked some redundant ashes by an upturned metal water tank. 'I can make us a fire,' he said, taking a pocket full of old rusty lighters and tinder from one of his huge pockets. His brightly coloured patchwork overcoat seemed to store an abundance of useful things. There were small pieces of mechanical paraphernalia, vintage innards from antique items, little motors, motherboards and old PC parts. There were secret pockets and compartments for weapons and a waterproof lining held everything together.

‘Do you take this stuff everywhere you go?’ asked Renyke.

‘Yes sir-ee, some days *man’dun gotta make *swapsie-trade. .

And other days, well, there are enemies and they kill for the fun of it. Everything has a use in the Zones brother. You learn that quick here.

Maybeline found a water flow from a pipe tucked in the grass and took a long drink.

Renyke began to pace, ’Shabra is taking her time,’ he said, standing near the opening of the enclosure.

‘She’ll come, she is huntin’ tis all my friend. You got attached already?’

Renyke stared at Flex and mumbled, ‘We need that ride.'

Then he checked POS whose signal was intermittent.

'.......What are the signs of being attracted to somebody?'

POS took a moment to compile a response……..

……Do you mean human responses?

'……yes, yes, of course ‘humans’, Renyke replied.'

POS continued

…..nervousness around the subject of the attraction,

…..extended thoughts about the subject,

…..obsessive thoughts beyond normal curiosity about the subject,

…..insomnia due to obsessive considerations of the subject,

…..anxiety over possible outcomes of imaginary scenarios involving the subject,

…..a desire to touch the intimate parts of the subject,

…..dreams about the subject,


…..fantasy building scenarios between the human and the subject,

…..being overly concerned about….



‘Enough,’ said Renyke, irritated with the voice in his head.

Finally Shabra returned.

She carried two dead rabbits in her belt and washed a wide glinting blade under the water that flowed from the broken pipe.

‘This water’s good. Your rat is a good scout for provisions. We can fill up the tanks and flask before we go.’

The new acquaintances are relaxed and considering preparation for the short but dangerous car journey to the *Edge.

Shabra checked the vehicle mechanics, the doors and metal buttresses worked in perfect synch and there were six exhausts. She filled the water kegs and put them in the boot.

‘Where is the vehicle from?’ Asked Renyke.

‘I built it,' answered Shabra, 'from scratch. 'Well, I had several wrecks and put my beaut together.

Me n her, we like lovers. She drives me crazy with her vibes.’

Shabra looked at Renyke parting her lips into a wry smile. They were oily from the fat of the meal.

She winked through long dark lashes.

Renyke felt a thump in his heart, a deep penetrating surge of something enthralling.

Suddenly there is a distant high-pitched sound, like a siren or swarm. It seems to be getting louder when Flex and Shabra grab Renyke, throwing him into the vehicle.

Seconds later they were surrounded by a marauding mass of screaming children. Some were made of broken body parts with human faces, others were small walking babies with burnt skin. Some had extra limbs and even two heads. They were crying and screeching, banging toy drums and chanting verses.

One of them seemed to be the leader and he leapt onto Shabra's bonnet. The noise was deafening.


to be continued
© 2025 Sarnia de la Mare



Strata 9: Limerence (Loins and Lust) (The Book of Immersion 13) Kindle Edition

GLOSSARY


fly book cover pink

The Book of Immersion : Volume 1


green underwater swimmers

Strata 17: Let's Go Swimming (Pleasure and Pain) (The Book of Immersion 21)

gold leaf lovers abstract art

Strata 16: Friendship (Empathy) (The Book of Immersion 20)


hippy mind

The book of immersion : Strata 15: When Sleep Comes (Dreams)


book cover kindle

Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 18)


green catrtoon


Blink Friction Interactive : No 1


Blink eye book cover


Blink Friction 1




yellow black book cover

Rat Gang Crew and the Overgrounders (Rat Gang Crew and Friends Book 3)


watercolour hippo book cover

Toddle Poddle: Issue 2 (Rat Gang Crew and Friends)
Kindle Edition

Free on


or £4.71 to buy
Other formats: Kindle EditionPaperback



monochrome book cover


Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 16)



elder, mature lady, champaigne


Elderescence: A Manifesto (Elderescence Academy Book 2)



artistic book cover

Tea Cup Shorts: V1


monochrome abstract book cover

Strata 13: The Fight (Hormones) (The Book of Immersion 17)


sewing book cover

Handmade by Sarnia, Eco Winter Warmers: Elderescence Academy: Recycled Fashion


Book of Immersion book cover

Strata 12: Shabra and the Basement People (Emotions) (The Book of Immersion 15)


dinfant book cover

Quick look
Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion 14)

Other formats: Kindle Edition



skull pink wallpaper

Strata 11: The Crossroads (Guessing) (The Book of Immersion 12)


child robot

Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion)


adam and eve apple

Strata 9: Limerence (Loins and Lust) (The Book of Immersion 13)


fruit orange bodie


Feminism, AI, Big Tech, and Societal Issues: Navigating the Nexus (The Humanitarian AI...


character book cover

Strata 8: Shabra (Laws of Attraction) (The Book of Immersion)


fly book cover

Strata 7: Jarome and the Scritters (Trade and Barter) (The Book of Immersion)