sarnia de la mare

Sarnia de la Mare FRSA

Artist • Composer • Educator

Sarnia is a multidisciplinary artist and founder of Tale Teller Club . Their immersive work blends art, sound, and story—exploring identity, transformation, and the beauty of otherness.

As a Fellow of the Royal Society of Arts and founder of the Sarnia de la MarΓ© Academy of Arts, they empower creatives to think radically and create fearlessly, whilst seeking truth.


Jun 21, 2025

Strata 12 The Basement People (Emotions) The Book of Immersion by Sarnia de la Mare


 Welcome to Immersion, you have reached Strata 12
The Basement People (Emotions)






I searched the globe for want of you,

A friend to call my own,

My space,

A tribe,

Was this the place?

Was I really home?

And there you stood

A tree of hope

Arms outstretched

To envelope

My ravaged body

Savaged mind

This soul so lost 

And you so kind.



Most humans progress through life along a path created by the society and culture they are part of. Existentialism emphasises individual existence, freedom, and choice. Androids and machines are essentialists, focusing on the inherent nature or essence of things and the assumption in fundamental unchanging truths. 


woman lights headphones orange

Emotions are vital to help humans learn and make decisions. Feelings are experienced constantly from birth to death. A newborn baby is emotionally involved with its mother as soon as it understands she is a valuable source of food and comfort. The emotional attachment is instantaneous and intuitive.

Human emotions are essential to consistency, being part of a social group, and staying safe.


Androids have successfully been programmed with 'visceral-like' responses but these are mimicked, in essence, they are faked. Androids are trained to respond to their owners' emotions as they are not able to understand emotions themselves through their lens. Such models are trained to respond to human physical cues such as odours, pupil changes, vocal idiosyncrasies etc, and to reciprocate. We could call this 'fake empathy’.


Automatic robotic vehicles do not fear the crash, they simply ‘know’ that a collision is not desirable for the ongoing success of the mission in hand.



'We should get some *infon and *preds,’ Shabra said, thinking hard about the best time of night to get to the edge, which was renowned for tribal and gang flashpoints.


Renyke asked *POS to explain.


…It appears that Shabra is gathering helpful information to aid our journey….


Renyke was uncertain what to do. This feeling was becoming all too familiar and quite at odds with his hitherto programmed assuredness.

'You coming or what?' Shabra asks from outside the car, leading the way to a set of stairs that led down into a noisy basement.


The *robo-dog wagged its tail and sat importantly on the roof of the vehicle looking around and growling.


Shabra knocked on a large door and a camera was activated above them. They were being scanned.


The door opened suddenly and a large man with a long beard frisked them before allowing them entry.


Renyke, not used to any sort of frisking in his past life, was sensing increasing anxiety. 


POS was idle.


'Welcome brother,' the guard said to Flex. 'Are you well?'

'Fine, just fine, my friend,' Flex answered, 'We continue unabated to live another day. *Vilarev!’ 


Both men laughed convivially whilst Renyke wondered what had amused them.


They enter a meeting place, some kind of bar. It is thick with smoke, the smell of nibs, sweat, and the streets. 


A woman approaches chanting poetry with her arms outstretched. 



'The sun shines bright when you let in the light, welcome, my sister of the night.' There is more convivial laughter.

She embraces Shabra and they exchange warm greetings. Excited to make new acquaintances the woman beckons the group to sit at a table.


'Ah, come, come my friends. I have a perfect place for you to sit, and please, be my guests at the bar.


The woman beckons a member of staff. 'Let's have liquor.' she says, 'bring my best for my new friends.’


Renyke asks POS for details about the venue, the location and the owner but it makes little sense, stuttering and breaking up.


.......data, unavailable..... scrambled, information…


'How come these places aren't mapped?' Renyke asked Shabra. 

'Mr Renyke, you ask too many questions. 'Hiding is surviving.'

'Yes,' interjected Flex, 'and we move, we move often. The key to freedom is movement.

Nothing is permanent. Only your lungs and your heart. Only your breath and when that's not permanent, you're dead and you're ready for the *metamorph.’ Flex chuckled.

'And we know not where that will take us for certain.’


Renyke checks POS whose signal was improving.


.....*Urchs believe in various spiritual concepts but little has been documented. Oral traditions and faith seem to be passed from parents to children. I will attempt to decipher the information at my disposal….


POS was silent momentarily.


It would appear that urchs believe in the existence of dissatisfied ghost-like entities who visit the present from the future referred to as *shads.


Urchs believe that death is not the end, merely a manifest alteration, referred to as the third life. This third life is fiercely protected with love because hate manifested in individuals will be carried to the next stage of life causing agony for the entity.


They also believe that hate is so powerful that it can control what the yet-unborn will do in the future. Hate becomes a circular energy that rotates between past present and future, forging an eternal and devastating cycle of ruin across several dimensions of existence. The dead are responsible for the living, the living are responsible for the future born. To honour this mantra, enlightenment and love are the only tools required to ensure human success.


.....Urchs also believe that taking drugs or mind-altering ingested compounds will help them understand what is existential truth and meaning and that the stresses of daily existence mask these realities and render them misunderstood. Urchs believe that intoxication enables them a greater understanding of truth, and even an ability to meet the entities or ghosts of the future.


'We shouldn't stay here too long, and you shouldn't get high,' said Renyke, looking at Shabra who was drinking the free liquor.


'You are so uptight Mr Renyke.' Shabra winks.

There is a brief conversation between a man and Shabra that Renyke cannot understand.


POS has lost signal so Renyke turns to Flex.

'What is this dialect?' he asks.


'Ah, that is *zone speak, with some colour changes for the urchs. We have our own code see.’


Shabra rises, 'Let's Go! I think there is some trouble around tonight.’


Outside a small *urch child sits on the bonnet of the car.

'Can I come too?' the child asks excitedly.


'No man, This is grown-up stuff. Come see me tomorrow, now *fucksyoff.’


The child jumps off the bonnet, hugs Flex, and runs away

There is a flurry of drug and weapon traders who are hustling for sales.


Finally, they are all in the car. There is a sense of trepidation as they drive in silence to the underpass through a thinning crowd. The child appears again on the bonnet, facing forward and singing with a fist raised.


'No sweat,' says Flex, 'we will get him off the other side. He does no harm, annoying is all.' 


Suddenly there is an almighty bang and the child on the bonnet is shot. Its guts are all over the windscreen, blood drips down the glass and the crowd scarpers.


Everyone on the street is screaming.


POS engages


.....99% likelihood of robbery, ambush, death. This is a red alert! You must take action! Repeat, red alert!..



There is a man in front of the car pointing an AK47 at Shabra's head.


Two other men flank the vehicle and bang rhythmically on the windows.


'Bastardos gang ain’t getting my *vicular’, shouts Shabra.



to be continued
© 2025 Sarnia de la Mare


GLOSSARY

Strata 1
Strata 2
Strata 3
Strata 4
Strata 5
Strata 6
Strata 7
Strata 8
Strata 9
Strata 10
Strata 11
Strata 12
Strata 13


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The Book of Immersion : Volume 1


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Strata 17: Let's Go Swimming (Pleasure and Pain) (The Book of Immersion 21)

gold leaf lovers abstract art

Strata 16: Friendship (Empathy) (The Book of Immersion 20)


hippy mind

The book of immersion : Strata 15: When Sleep Comes (Dreams)


book cover kindle

Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 18)


green catrtoon


Blink Friction Interactive : No 1


Blink eye book cover


Blink Friction 1




yellow black book cover

Rat Gang Crew and the Overgrounders (Rat Gang Crew and Friends Book 3)


watercolour hippo book cover

Toddle Poddle: Issue 2 (Rat Gang Crew and Friends)
Kindle Edition

Free on


or £4.71 to buy
Other formats: Kindle EditionPaperback



monochrome book cover


Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 16)



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Elderescence: A Manifesto (Elderescence Academy Book 2)



artistic book cover

Tea Cup Shorts: V1


monochrome abstract book cover

Strata 13: The Fight (Hormones) (The Book of Immersion 17)


sewing book cover

Handmade by Sarnia, Eco Winter Warmers: Elderescence Academy: Recycled Fashion


Book of Immersion book cover

Strata 12: Shabra and the Basement People (Emotions) (The Book of Immersion 15)


dinfant book cover

Quick look
Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion 14)

Other formats: Kindle Edition



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Strata 11: The Crossroads (Guessing) (The Book of Immersion 12)


child robot

Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion)


adam and eve apple

Strata 9: Limerence (Loins and Lust) (The Book of Immersion 13)


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Feminism, AI, Big Tech, and Societal Issues: Navigating the Nexus (The Humanitarian AI...


character book cover

Strata 8: Shabra (Laws of Attraction) (The Book of Immersion)


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Strata 7: Jarome and the Scritters (Trade and Barter) (The Book of Immersion)


Strata 11 The Crossroads (Gut Feelings) The Book of Immersion by Sarnia de la Mare



Welcome to Immersion, You Have Reached Strata 11

The Crossroads (Gut Feelings)



Prediction always involves a possibility about the future, with varying degrees of certainty. In contrast, guessing for humans is often more abstract and emotional, and can relate to the present. Artificial intelligence approaches guessing differently, relying on mathematics, probability, statistical evidence, and accumulated experience. While humans use these methods too, though less formally, they also rely on intuition. It’s this fluid intuition that shapes a human’s perception of their environment and guides their actions.

An intuitive machine may provide useful insights in unexpected situations, but these insights are only valuable if acted upon. Proprioception, known as the "sixth sense," refers to the brain's awareness of the body's position in space. A "seventh sense" involves immune cells detecting microorganisms and communicating this information to the brain. Together, these senses likely contribute to the development of human "gut feelings."



skull wallpaper raven croe gothic butterfly
Flex was jumping around on the back seats screaming with delight. Renyke felt the thumping sensation in his chest gradually subside and breathed a sigh of relief.

The *Robo-dog suddenly appeared and jumped onto the car roof barking excitedly.

Out of the enclosure, there is a crossroads.

Shabra looked at Renyke. 'What now Mr Renyke?

The left turn goes back onto the street where the bank was.

Shabra explains, 'It is dangerous, especially at night, because *crim-gangs take control of the streets.

Flex agrees, 'It be safe enough if we wise up for danger my friends. Just the crim-gangs, but I know most.’

The crim-gangs control the zones with violence and the offer of protection. They are empowered by groups of decommissioned droids under their control. Criminal humans at the helm have created an organised crime network. Anarchy prevails and there is no official system of state policing or philanthropic social care.

'Dog eat dog is the only expectation on the streets of fortune here in the zones.' Flex continues. ‘But the *urchs do no harm, so they leave us be.'

'Who are the urchs?' asks Renyke.

'Ah,' well there is a question Flex explains. 'We are the underclass, descendants of street urchins. And we are happy to be here. We cast no shadow and we know our place. Life is filled with beauty even here and we seek it out, celebrate it. We love and be loved, tis all we need.’

'Yeah,' interjects Shabra, 'a bit too much, all that singing and dancing and getting high. And the drumming, what is with all that drumming?’ Asks Shabra.

Renyke looks confused. *POS is still not around to explain things.

'The drumming is how we talk,' laughs Flex. 'All men should know the beats of their nation. it would solve a lot of problems if everyone communicated better. 'Sides, when there is a party, you gotta invite the clan.'

Shabra smiled, 'Well, Mr Renyke, best people like you n me stay well away from their *’shroom parties. I heard they last days and you can lose your mind for good at an urchs’ party.'

Flex was born in the zones. He has no other cultural experiences to call upon but he has developed excellent survival skills and is even respected by people outside of his tribe. In terms of hierarchy, Flex is more of a maverick operator preferring to avoid familial obligations or social ties. He is also something of a diplomat and his height and sense of humour have made him affable and connected over the years.

There is a network of invisible tunnels under all the zones from the now unused underground trains.

Some of the tunnels are better than others regarding safety and usability. Some of these areas are used as habitats. The territory and ownership of tunnel zones are fiercely fought over and protected.

There is no downtime in the zones. Many businesses run all night so they keep their spot. Market traders sell their wares using shift workers and can pack their goods away quickly when there is trouble between gangs.

What if we go right? Asked Renyke, now having second thoughts about his safety in the main street.

'That's the savanna, explains Shabra. It is safer from the gangs but you might get eaten by wild animals. Those mutant pigs are bad news.'

'I saw one once, said Flex, 'Swear it had two heads and the biggest mouth I ever saw.'

'Or die from the noxious substances from old mines, 'said Shabra excitedly.

'Or get bombarded by low-flying craft from the *contras trying to keep us out the greenbelt.' Replies Flex.

‘OK, OK!' said Renyke, sighing and trying to process everything.

There are caves where there is safety from the animals and there are connecting wet tunnels and lagoons but these have never been mapped correctly. Word of mouth is the only reference but survivors are few.

There are tribes of people from the savanna who have made their homes there but are rarely seen. They are deemed reasonably placid as they have never caused any trouble elsewhere. They are rumoured to be shy, excellent hunters, highly superstitious and have been thought to possess witchlike powers.

There is an urban myth that an old *Centre for Strategic Warfare lies beneath the savanna and that the tribes who live there, with access to hi-tech equipment, scramble satellite information allowing them to be hidden.

The road ahead leads directly back to the *Midcast Projects from where Renyke originally came.

Beyond the projects are the government departments, airports, factories and centres of information. Further still are the palaces and homes of the very wealthy. The *midcasts are medium to high-wage earner homes with schools and facilities for professionals and academics.

The way that mainstream society is structured in the Midcast Projects is based on a capitalist idea of perfection: consistent intelligent innovation, a placid keen and able workforce, all the while protecting the ownership of the means of production for as few empowered individuals or corporations as possible.

There is very little opportunity for upward social mobility or change. Hard work and study will create a good life for families but becoming wealthy or powerful requires access to the means of production. Governments and landowners are careful not to allow ordinary workers and lower professionals access to these avenues of power and control.

The biggest means of production is the Artificial State (or *AS), an interactive media network that is linked to all citizens via implants, household multi-sensory pleasure networks, and domestic or commercial androids

This network is tightly controlled by a group of related conglomerates, most of whom made their fortune by producing weapons and vaccines.

Downtime for workers is spent in the *VR cafes where *mersers can get drunk, have sex, take a swim on holiday and even murder people in a fantasy scenario during their coffee breaks.

*RR, or real reality, is frowned upon as anti-intellectual and subnormal.

But some *midcasters have abandoned their lives for *RR and have gone to the outer zones to seek fulfilment. For these people, RR is their calling or obsession. Others, like Renyke, find that their continued presence in the Midcast Projects is dangerous or compromised and come to the dangerous outer zones to escape an undesirable situation, or even, death.

Whatever happens next, Renyke knows that he cannot return to the midcasts.

Based only on a gut feeling he says,

'We go left....back into town.'




to be continued
© 2025 Sarnia de la Mare

skull raven crow butterfly pink

Strata 11: The Crossroads (Guessing) (The Book of Immersion 12) Kindle Edition



GLOSSARY

Strata 1
Strata 2
Strata 3
Strata 4
Strata 5
Strata 6
Strata 7
Strata 8
Strata 9
Strata 10
Strata 11
Strata 12
Strata 13

fly book cover pink

The Book of Immersion : Volume 1


green underwater swimmers

Strata 17: Let's Go Swimming (Pleasure and Pain) (The Book of Immersion 21)

gold leaf lovers abstract art

Strata 16: Friendship (Empathy) (The Book of Immersion 20)


hippy mind

The book of immersion : Strata 15: When Sleep Comes (Dreams)


book cover kindle

Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 18)


green catrtoon


Blink Friction Interactive : No 1


Blink eye book cover


Blink Friction 1




yellow black book cover

Rat Gang Crew and the Overgrounders (Rat Gang Crew and Friends Book 3)


watercolour hippo book cover

Toddle Poddle: Issue 2 (Rat Gang Crew and Friends)
Kindle Edition

Free on


or £4.71 to buy
Other formats: Kindle EditionPaperback



monochrome book cover


Strata 14: The Journey to the Edge (Fear of Death) (The Book of Immersion 16)



elder, mature lady, champaigne


Elderescence: A Manifesto (Elderescence Academy Book 2)



artistic book cover

Tea Cup Shorts: V1


monochrome abstract book cover

Strata 13: The Fight (Hormones) (The Book of Immersion 17)


sewing book cover

Handmade by Sarnia, Eco Winter Warmers: Elderescence Academy: Recycled Fashion


Book of Immersion book cover

Strata 12: Shabra and the Basement People (Emotions) (The Book of Immersion 15)


dinfant book cover

Quick look
Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion 14)

Other formats: Kindle Edition



skull pink wallpaper

Strata 11: The Crossroads (Guessing) (The Book of Immersion 12)


child robot

Strata 10: Dinfant Trouble (Synthetic Love) (The Book of Immersion)


adam and eve apple

Strata 9: Limerence (Loins and Lust) (The Book of Immersion 13)


fruit orange bodie


Feminism, AI, Big Tech, and Societal Issues: Navigating the Nexus (The Humanitarian AI...


character book cover

Strata 8: Shabra (Laws of Attraction) (The Book of Immersion)


fly book cover

Strata 7: Jarome and the Scritters (Trade and Barter) (The Book of Immersion)