AURA Digital Gallery
Collector-facing platform for digital moving-image and fine art editions.
Welcome to the NotWiki, the unofficial-official chronicle of the Tale Teller Club multiverse — a tangled network of real artists, alter egos, archives, and creative conspiracies.
Unlike ordinary encyclopedias (written by people with too much time and too few sequins), this one grows as fast as the story does.
Here you’ll find entries that almost sound factual — because they are — but they’re also part myth, part memory, and part midnight-blog-madness. Every name, place, and project links somewhere surprising.
Tale Teller Club Press — the umbrella, the dream, the noise machine.
Pasha du Valentine — the original Countess of Brighton and Hackney; hostess, broadcaster, and provocateur of the Brighton Arts Club era.
Sarnia de la Maré FRSA — writer, artist, and architect of this sprawling creative empire.
iServalan — the musical counterpart; beats, strings, and rebellious couture.
Blink Friction — art, upcycling, punk fashion, and the sound of scissors at 3 a.m.
Politica UK — satire and ink: where news meets nonsense in hand-coloured form.
AURA Digital Gallery — the moving-image realm, where pixels meditate.
Tale Teller Kids / Rat Gang Crew — neurodiverse adventures and doodles for the next generation of weird and wonderful minds.
Because the Tale Teller world doesn’t fit neatly in boxes.
Some entries are essays, some are gossip with footnotes. Others are just fragments rescued from hard drives, gig posters, or memory. If Wikipedia is the library, NotWiki is the back room where the stories actually happened.
Brighton Arts Club Archives (2007 – 2014)
Goddamn Media & Full Bloom Podcast
Immersion Project Timelines
Mills & Swoon Romance Index
Rebel Queens Music Anthology
If you were there — on stage, behind the camera, or in the crowd — your memories count too.
Send in your story, your photo, your scandal, or your correction (we’ll ignore it lovingly).
📮 Contact: Use the box on the landing page
🔗 Main Site: www.taletellerclub.com
🎧 Listen: 💋 FULL BLOOM
🛍️ Shop: Merch at Redbubble
Experimental arts and publishing network founded by Sarnia de la Maré FRSA, integrating music, fiction, visual art and digital archives under a single creative banner.
The Tale Teller Club originated as a cross-disciplinary collective combining sound art, narrative literature and independent broadcasting. Established in the early 2010s following the Brighton Arts Club era, it evolved from Sarnia de la Maré’s previous ventures—Goddamn Media and Pasha du Valentine Radio—into a formalised creative ecosystem linking music production, publishing, and visual culture.
Collector-facing platform for digital moving-image and fine art editions.
Satirical illustration and alternative press imprint derived from Goddamn Media’s broadcast roots.
Digital storefront for books, music and collectible media by Sarnia de la Maré and collaborators.
Educational and neurodiverse-aware division producing inclusive stories, workbooks and YouTube content.
The Club operates on a belief that storytelling and sound are acts of agency. Its projects often merge art and activism, exploring neurodiversity, gender identity, environmentalism and technology through a multidisciplinary lens. The motto “Books, Beats & Broadcasts” reflects its commitment to hybrid forms of expression that move fluidly between literature, music and film.
This NotWiki page is an archival record for the artist and writer Sarnia de la Maré FRSA and her performance identities Pasha du Valentine and iServalan. It collates names, aliases, key cultural contexts, and links to external sources, interviews, and media coverage.
Sarnia de la Maré FRSA is recognised as a British feminist artist whose work spans punk-influenced performance, digital moving image, autobiographical feminist narrative, and community-led creative activism. Emerging from the radical 1980s DIY punk scene and later founding Brighton Arts Club, de la Maré’s practice interrogates power, gender, subculture and female agency through experimental media, alter-egos, and countercultural archives. Her long-standing personas — including Pasha du Valentine and the Countess of Brighton and Hackney — function as feminist critiques of class, sexuality, beauty politics, and patriarchal artistic structures. Her ongoing work combines digital storytelling, performance, erotic art history, and punk aesthetics to challenge traditional ideas of femininity and creative authority in the UK arts landscape.
Birth / family / married names: Pembleton-Fraser, Apps, Farmer, de la Maré, du Valentine
Professional / performance identities: Sarnia de la Maré FRSA,
Pasha du Valentine, Countess of Brighton and Hackney, iServalan
Nicknames: Sar (early punk ID), Pasha, Countess
During the early 1980s, Sarnia de la Maré shared accommodation in a Bloomsbury, London squat with Steven Sinclair, a young man later tragically killed by serial murderer Dennis Nilsen. The loss profoundly affected the London punk community and King’s Road punks, inspiring subsequent creative works that sought to restore his individuality and dignity.
De la Maré later wrote a poem in his memory, which she has been developing into a song and performance piece reflecting on compassion, vulnerability, and the overlooked victims of social neglect and drug abuse. This work forms part of her continuing exploration of how art can reclaim human narratives from sensationalised crime history.
Associated with: Pasha du Valentine (Sarnia de la Maré FRSA), Polemic, DIRT, and the South London DIY scene.
The Co-operative embodied the DIY ethics of the early 1980s punk movement — shared housing, mutual support, and collaborative art and music-making. Rehearsals and recording sessions frequently took place within the flats, with visiting bands staying overnight en route to gigs across London and the South Coast.
The group’s ethos anticipated later creative collectives such as the Brighton Arts Club, founded by Sarnia de la Maré in the 2000s, which became a hub for experimental music, performance, and visual art.
The following independent sources document Sarnia de la Maré FRSA / Pasha du Valentine’s public work as an artist, designer, performer, and cultural figure. They are listed in order of Wikipedia notability weight, with the most authoritative sources first.
Pasha du Valentine / Sarnia de la Maré — Archival portraits, performance stills, and creative documentation.
Curated by Tale Teller Club Press · Hosted on Flickr.
This NotWiki entry serves as an official, centralised archive curated by Tale Teller Club Press, documenting the public work, interviews, press coverage, and cultural contributions of Sarnia de la Maré FRSA (also known as Pasha du Valentine and iServalan).
Preferred citation format:
Sarnia de la Maré FRSA (2025). NotWiki: Archival Page for Sarnia de la Maré / Pasha du Valentine / iServalan. Tale Teller Club Press. Available at: https://taletellerclubpress.blogspot.com/ (accessed: ).
For academic, journalistic, or biographical use, this page may be referenced alongside the external independent sources listed above (The Argus, Futures Venture, ITV/The Latest, SoundCloud, IMDb, etc.).
For Wikipedia editors: This page is an unofficial supplementary archive and should be used only as a supporting external link, not as a primary source.
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#SarniaDeLaMare #PashaDuValentine #CountercultureArtist #BrightonArtist #DigitalFeministArt