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Showing posts with label Official Archives. Show all posts
Showing posts with label Official Archives. Show all posts

Can We Fool the Algorithm? Or Are We Just Chasing Each Other in Circles?

 

Algorithm race illustration for Tale Teller Club blog article

Can We Fool the Algorithm?

Or Are We Just Chasing Each Other in Circles?

Every digital creator eventually hits that moment — the sudden, sinking realisation that the YouTube algorithm is not a benevolent librarian organising your work in neat, logical rows.
No.
It is a hyperactive octopus wildly slapping buttons in the dark while trying to sell us something.

And somewhere in the middle of this, creators like me (and you, dear reader) are trying to make sense of the chaos.

The Algorithm vs The Artist

Let’s be honest: YouTube’s algorithm feels like a moody Victorian governess.
One day it favours your drawing timelapses.
The next day it punishes your music.
Then suddenly, without warning, a six-second throwaway clip of an old punk flyer becomes your new Golden Child.

It’s not personal, of course.
It just feels personal.

I’ve watched genuine fans — real people with real curiosity — get blocked, obscured, buried, or simply not shown my content because the algorithm was having “one of its days.” And it leaves you wondering:

Is YouTube cheating me out of my own audience?
Sometimes it absolutely feels like it.

But Are We Any Better?

Before we sharpen our pitchforks, consider this:

We are just as fickle.

We click randomly.
We binge at 3 a.m.
We abandon series halfway through.
We watch videos with the sound off.
We follow trends we don’t even like.

The machine is trying to predict behaviour that we can’t even predict in ourselves.

So who’s actually chasing who?

Cat and Mouse?

Hare and Tortoise?
Or Two Mirrors Reflecting Each Other Forever?**

Creators think we’re the hare: sprinting out new content, hacking tags, redesigning thumbnails, whispering sweet nothings to the Analytics tab.

The algorithm thinks it is the hare: sprinting after trends, adjusting its knobs, tweaking its levers, desperately trying to bottle human behaviour like lightning in a jar.

But truthfully?

We’re both mice.
And we’re both cats.

Sometimes we outrun the algorithm.
Sometimes it chases us into a corner.
Sometimes we trick it — for a day.
Sometimes it tricks us — for a month.

And sometimes (most of the time), we and the Machine just stare at each other across the digital field, both pretending we understand each other.

The Real Secret: The Algorithm Doesn’t Know Who You Are

And it never will.

It doesn’t understand:
– nostalgia
– nuance
– artistry
– the emotional weight of a creative archive
– the thrill of rediscovering a forgotten performance
– the human ache behind a piece of music
– or the way a story can rise from a decade-old hard drive and ignite again

It just knows patterns.

We know meaning.
And that is our advantage.

Can We Fool the Algorithm?

Short answer: yes, but only briefly.

Long answer:
You can nudge it.
You can confuse it.
You can flood it.
You can even charm it.

But you can’t tame it.

Because the algorithm isn’t truly chasing views or engagement.
It’s chasing predictability.
And humans will never be predictable creatures.

So What Do We Do?

We keep creating.
We keep experimenting.
We build archives.
We tell stories.
We show up daily, weekly, monthly — whatever our rhythm is.

We make art that outlives the octopus in the machine.

Because long after today's algorithm has been replaced by tomorrow’s smarter, pushier, nosier version, our work will still be there — still clicking, still resonating, still being discovered.

The algorithm is temporary.
The artist is not.

Latest Kindle Unlimited Books by Tale Teller Club Press



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Autism, Access, and the Real Price of Being Different: Why Diagnosis Is Hard, Why It...
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Twisted Market at Brighton Fringe Countess of Brighton and Hackney Fashion Launch

 

Minge Fringe extended show due to popular demand, Archive Flyer

THE COUNTESS OF BRIGHTON & HACKNEY cafe and shop launch party Archive Flyer

 

NotWiki at the Tale Teller Club

 

🌀 The Tale Teller Club NotWiki

A living, laughing archive of the improbable, the glamorous, and the true (mostly).

Welcome to the NotWiki, the unofficial-official chronicle of the Tale Teller Club multiverse — a tangled network of real artists, alter egos, archives, and creative conspiracies.
Unlike ordinary encyclopedias (written by people with too much time and too few sequins), this one grows as fast as the story does.

Here you’ll find entries that almost sound factual — because they are — but they’re also part myth, part memory, and part midnight-blog-madness. Every name, place, and project links somewhere surprising.

🧭 Start Here

📚 What Makes This a NotWiki

Because the Tale Teller world doesn’t fit neatly in boxes.
Some entries are essays, some are gossip with footnotes. Others are just fragments rescued from hard drives, gig posters, or memory. If Wikipedia is the library, NotWiki is the back room where the stories actually happened.

🕰️ Coming Soon

  • Brighton Arts Club Archives (2007 – 2014)

  • Goddamn Media & Full Bloom Podcast

  • Immersion Project Timelines

  • Mills & Swoon Romance Index

  • Rebel Queens Music Anthology

💬 Contribute or Connect

If you were there — on stage, behind the camera, or in the crowd — your memories count too.
Send in your story, your photo, your scandal, or your correction (we’ll ignore it lovingly).

📮 Contact: Use the box on the landing page
🔗 Main Site: www.taletellerclub.com
🎧 Listen: 💋 FULL BLOOM
🛍️ Shop: Merch at Redbubble





Tale Teller Club NotWiki

Tale Teller Club NotWiki page.

Tale Teller Club

Experimental arts and publishing network founded by Sarnia de la Maré FRSA, integrating music, fiction, visual art and digital archives under a single creative banner.

Overview

The Tale Teller Club originated as a cross-disciplinary collective combining sound art, narrative literature and independent broadcasting. Established in the early 2010s following the Brighton Arts Club era, it evolved from Sarnia de la Maré’s previous ventures—Goddamn Media and Pasha du Valentine Radio—into a formalised creative ecosystem linking music production, publishing, and visual culture.

Core Activities

  • Publishing Imprints: Mills & Swoon (romance fiction), Know Your Subject (concise non-fiction), and Tale Teller Kids (inclusive children’s books).
  • Music & Performance: releases by iServalan, Immersion Static podcast soundtracks, and live multimedia events originating from Brighton Arts Club.
  • Film & Moving Image: production of experimental videos and 360° immersive works distributed through AURA Digital Gallery and the 916 Cinema channel.
  • Archives & Digital Heritage: cataloguing past radio shows, performances and artworks within the NotWiki Project.

Associated Projects

Politica UK

Satirical illustration and alternative press imprint derived from Goddamn Media’s broadcast roots.

The Tale Teller Vault

Digital storefront for books, music and collectible media by Sarnia de la Maré and collaborators.

Tale Teller Kids

Educational and neurodiverse-aware division producing inclusive stories, workbooks and YouTube content.

Philosophy

The Club operates on a belief that storytelling and sound are acts of agency. Its projects often merge art and activism, exploring neurodiversity, gender identity, environmentalism and technology through a multidisciplinary lens. The motto “Books, Beats & Broadcasts” reflects its commitment to hybrid forms of expression that move fluidly between literature, music and film.

Timeline

  • 2009–2012: Goddamn Media broadcasts and Brighton Arts Club live events.
  • 2013: Founding of Tale Teller Club Press as a publishing imprint.
  • 2015–2020: Expansion into podcasting and digital music releases.
  • 2021–Present: Launch of AURA Digital Gallery, Immersion Static series and Tale Teller Vault storefront.

See Also











Pierre de la Mare

 Coming Soon.

Pierre de la Mare, photographer and writer.

Dennis de la Mare

 Coming soon.

Dennis de la Mare, poet.

AURA Digital Gallery Announcement Press Release for Immediate Distribution

 


🗞️ Press Release for Immediate Distribution

AURA Digital Gallery announces the forthcoming launch of a new art format pioneered by Sarnia de la Maré FRSA — the Embedded Digital Exhibition. The inaugural release, The Pasha Years — Retrospective Photography Gallery Vol. 1, presents an entirely self-contained museum experience: every image, poem, and moving-image work exists within the book itself, requiring no internet connection or external hosting.

This innovation marks a decisive step forward in sustainable digital art. By merging curation, publication, and preservation, de la Maré eliminates the dependency on online platforms and ensures the long-term survival of her works. Each edition functions simultaneously as a collectible object and an archival record.

Pre-registration and media inquiries:
📩 taletellerclub@gmail.com
🌐 https://digitalaura.art/embedded-gallery

Ends