Showing posts sorted by relevance for query Strata 11. Sort by date Show all posts
Showing posts sorted by relevance for query Strata 11. Sort by date Show all posts

Jan 3, 2024

Lush Grove by Sarnia de la Maré FRSA for Tale Teller Club (lyrics with a biro)

illustration from the Book of Immersion by Tale Teller Club

 

Lush Grove


When you're just a machine

All the answers are in your head

I am made of earth and man

To someone else's plan

Not sure if I'm alive or dead


(Chorus)

Welcome to the Lush Grove

Where human kind can hope to grow

You're always welcome in the Lush Grove

For the union of our souls


I don't know what happened to me

It was all going so well

Now I'm back to the start

Not sure where I fell


But the people

Yes I loved you

I miss you 

I need you

And I'll find my way home


You took me by the hand and gave me wings dear

We walked the desert holding hands

We loved you greatly

Then you left us dear

To search the earth for such a man


©2023 Sarnia de la Mare



Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA, published by Tale Teller Club

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Jan 10, 2024

Temptation of a Virgin by the Marchioness of Dorchester (circa 1625) with live reading



Temptation of a Virgin by the Marchioness of Dorchester (circa 1625)




In mine garden there,

fragrant blooms

perfumed the air.

Rays warmed mine skin,

so pale and fair




An innocence that day

indeed I wore

When on the grass I lay

And the serpent

whispered

‘take the day

Partake as Eve

of sins so sweet,

fruits so divine,

your fate to meet’




That serpent coiled

there ‘neath the tree

said ‘Come m’lady

come to me

Taste the apple

ripe and red.’

Temptation danced

inside mine head




‘Put aside your guardians’

speech

ignore the sermons

churchmen preach’

With turmoil’s passion,

Yes,

I reached.

And I bit hard

of life’s rich feast,

to taste it’s core,

when I was changed

forevermore




©2024 The Marchioness of Dorchester / Sarnia de la Mare FRSA




#poetry #poem #WritingCommunity #writersoftwitter #Writer #virgin #eve #ardour #Passion

@snob_value @HomotechFlex




Listen to "Sarnia de la Mare FRSA" on Spreaker.

Jan 15, 2024

Seed, poem by Sarnia de la Maré FRSA

faces flower drawing by iserrvalan

 Seed

I walk on effervescent dreams I am a Seed An idea Sometimes a weed (think Andrew Tate) I can grow better with nutrients and patience I’m always here But sometimes I’m latent Or worse, ignored (think women, children and the underclasses) Without help I can die easily or not grow freely because I am Costly (think enlightenment) I am everywhere Here and there in seas in air on land forever Close and near at hand (think creativity) I can be stored don’t get confused just keep me safe for later use when conditions are right plant me then and I will grow with all my might (think keep in a box under the bed) ©2024 Marchioness of Dorchester, Sarnia de la Maré FRSA #poems #poetry #poetrylovers #art #illustrations #saatchi #idea #seed #illustration #writers #writerslift #writesoftwitter #author


Jan 14, 2024

She, a poem by the Marchioness of Dorchester, Sarnia de la Maré FRSA

 

poet Sarnia de la Maré the Tale Teller Club

She


She sits so proud

So straight of neck,

not bowed

not low but high

like 

birds

on wings

so sleek,

not weak

just there

where

she belongs

Her face 

so strong

Her arms like

crains

they take the strain

of those who

dare to

say her name

She walks

on air 

the breathe that

others

only breath

she steals

to make 

her rise

She does not

heed

their lies

She climbs 

on walls

their walls of hate

wont hold her in

she will not fall

She stands

so

tall

For she is she

and 

She 

Will 

Be


©2024 Sarnia de la Maré FRSA 


Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA, published by Tale Teller Club

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Jan 16, 2024

Cruel Ballet by Sarnia de la Maré FRSA for Tale Teller Club Publishing #poetry


 

Cruel Ballet


I always remember 

the bad times

The ones where the 

prima 

fell.

When the stage floor

cracked open

and ate her bleeding legs

like a hungry croc

Then the audience

left her,

with bloody stumps

to find a nowhere place


It was a cruel ballet



©2024 Sarnia de la Maré FRSA


Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA, published by Tale Teller Club

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Jan 8, 2024

iServalan: Crafting Dystopian Soundscapes in the Tale Teller Club



iServalan: Crafting Dystopian Soundscapes in the Tale Teller Club


Introduction:

In the mesmerizing realm of avant-garde music, iServalan stands out as a multifaceted artist, wielding the cello and piano as extensions of her creative prowess. As the composer for the Tale Teller Club, iServalan immerses audiences into dystopian narratives through her avant-garde works, seamlessly blending musical genres and cutting-edge technology to transport listeners to otherworldly dimensions.

The Tale Teller Club:

At the heart of iServalan's sonic exploration lies the Tale Teller Club, an avant-garde artistic haven where dystopian storytelling takes center stage. This unique collective, housed within the Tale Teller Club Academy of Arts, pushes the boundaries of conventional narrative by combining literature, music, and multimedia elements to create immersive experiences for its audience.

iServalan's Musical Palette:

As a cellist, pianist, and composer, iServalan crafts intricate sonic landscapes that serve as the sonic backdrop for the tales told at the club. Her compositions seamlessly blend classical elements with avant-garde techniques, creating an otherworldly fusion that captivates and challenges the listener. The use of both traditional and electronic instruments allows iServalan to weave a tapestry of sound that transcends genre boundaries.

CDM (Cerebral Dance Music):

One of iServalan's groundbreaking contributions to the musical landscape is her exploration of CDM, or Cerebral Dance Music. This genre melds electronic beats with intricate melodies, encouraging listeners not just to dance physically but to engage in a mental and emotional dance as well. iServalan's CDM compositions provide a unique sonic experience, inviting audiences to move their bodies while stimulating their minds.

Robotot Opera:

In addition to her work with CDM, iServalan has delved into the realm of Robotot Opera, a genre that fuses robotics and artificial intelligence with classical operatic elements. This avant-garde approach transforms the stage into a futuristic spectacle, where robots and human performers collaborate to tell compelling narratives. iServalan's contributions to Robotot Opera showcase her commitment to pushing the boundaries of what is possible in both music and technology.

Cutting-Edge Tech in the Studio:

iServalan's studio is a technological marvel, featuring cutting-edge equipment that enhances her creative process. From state-of-the-art synthesizers to advanced recording techniques, iServalan leverages the latest technology to bring her dystopian visions to life. Virtual reality, augmented reality, and interactive visual projections are seamlessly integrated into her performances, adding a layer of complexity that transcends the traditional concert experience.

Conclusion:

iServalan's contributions to the Tale Teller Club and the broader world of avant-garde music exemplify the power of creative innovation. Through her mastery of the cello, piano, and composition, combined with a fearless embrace of cutting-edge technology, iServalan continues to push the boundaries of what is possible in the world of music and storytelling. As audiences are transported into dystopian realms through her immersive works, it becomes clear that iServalan is a trailblazer in the convergence of art, technology, and narrative.



Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA, published by Tale Teller Club

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